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The Pre-Raphaelite Women
by Elizabeth Urbach

 

The Pre-Raphaelite Brotherhood began in 1849 with William Holman Hunt, Dante Gabriel Rossetti and John Everett Millais. They drew their subjects from ancient and Medieval art and literature, and sought to capture the most intense of emotions and expressions in their models. Favorite subjects included tragic or unrequited love, mystical and romantic symbolism, characters from classic literary works and religious iconography and allusion. Their work is characterized by:

- emphasis on color and light overshadow
- contrast between indoor and outdoor scenery
- “close-ups” rather than in depth perspective
- figures placed in front of an open window or doorway
--avoidance of “still lifes”

Lady of Shalott by William Holman Hunt
The Lady of Shalott
1842 William Holman Hunt (1827-1910)
Model: Mary Waterhouse

But, who were the women whose faces gaze at us from the Pre-Raphaelite images of the 19th century?

In paintings and sketches they represent thoughtful, dying, ruined, angelic, or sexually powerful girls and women, in the context of fairy tales, myths, legends from history, literature and stories of Christian saints. 

In real life, they were the sisters, wives, lovers, daughters, and friends of the artists who painted them. The real women who defined the “ideal woman” include Elizabeth Siddal, Fanny Cornforth, Christina Rossetti and Jane Morris, most prominently.

Lady Lilith by Dante Gabriel Rossetti
Lady Lilith, began in 1863
by Dante Gabriel Rossetti (1828-1882)
 Model: Fanny Cornforth

These women influenced the popular definition of female beauty, changing the ideal from the innocent, youthful, pale, even sickly look popular during the Romantic movement of the 1830s and 1840s, to a much more colorful, sensual type of beauty. As Elizabeth Lee, a writer for the Victorian Web website put it:

“Essential to the Pre-Raphaelite art is a woman's face, a beautiful visage with large, luminescent eyes set in a web of long hair. Powerful bodies, necks, or striking features were favored, as were women who were red-headed with a fine posture and lovely lidded eyes. The ideal woman might be dark browed like Jane Morris or...fleshy like Fanny Cornforth.”

Ophelia by John Everett Millais
Ophelia, 1851
by John Everett Millais (1829-1876)
Model: Elizabeth Siddal

Although the best-known of the Pre-Raphaelite artists were men, there were several prominent women who were artists and poets in their own right, including some of the models for the images produced by the Pre-Raphaelite Brotherhood. Christina Rossetti and Elizabeth Siddal are prominent among these female artists.

 

Proserphine by dante Gabriel Rossetti
Proserpine, 1874
by Dante Gabriel Rossetti
(1828-1882)
Model: Jane Morris

The Annunciation by Dante Gabriel Rossetti
The Annunciation, 1849-1850
by Dante Gabriel Rossetti
(1828-1882)
Model: Christina Rossetti

Want to learn more? Visit:
- www.VictorianWeb.org
- Pre-Raphaelite Women: Models, Lovers, Art-Sisters
- http://faculty.pittstate.edu/knichols/lizzie.html
- RossettiArchives.org

- To Learn 10 things you never knew about Millais' Ophelia, click here
- To read an interpretation of Hunt's Lady of Shalott, click here
- To read an interpretation of Rossetti's Proserpine, click here